I find it fascinating how so much of a
story can be expressed within the confines of a single image, much
less a series of moving images without the use of spoken word. Thus,
it is the job of the director, lighting designer, cameraman, costume
designer, and set designer in combination with the actor to not only
set a mood, but to tell a story through the visuals.
Coming from a costume design and
fashion background, I have learned that good design alone can carry a
plot, imply past events, and express the current physical and
emotional state of the subject of a piece. You could watch an entire
film on mute and still get an impression of the world the characters
reside in. Are the characters happy? Is the world chaotic and full of
grief? Either of these qualities can be shown through any of the
design elements in film. Even more specific details about the
character's emotional state can be expressed through the angle of the
lens of the camera.
My influences include Wes Anderson and
Tim Burton, both of whom have very strong visual ideas and moods for
each of their films. Wes Anderson leans toward the whimsical and
borderline cartoony worlds, whereas Tim Burton goes for the moody,
gritty, and fantastical.
I hope to be able to explore in film,
the possibilities of good storytelling through compelling visual
arrangement. Whether through specific costume or set design, or
through camerawork, I aim to better understand the use of visuals to
give subtext.
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